With the photo essay this week from Nihab Rahman, you may begin to notice that we’re spending several weeks of our once-per-week publishing schedule on stories connected to the lives of Rohingya refugees from Myanmar (also called Burma) who have fled to Bangladesh, where they are living in refugee camps.
PHOTOS BY NIHAB RAHMAN
We were introduced to Nihab Rahman through our contributor Scott Will, whose Culture Keeper account of life as an aid worker in Cox’s Bazar, Bangladesh. In his first article for Culture Keeper, we’re going photo essay style, letting his photos speak for themselves as he takes us along to view life in a refugee camp for the Rohingya refugees whose situation has received a sizable amount of media attention.
Physician assistant Scott Will recently spent a month providing medical care to Rohingya people from Myanmar living in a large refugee camp outside Cox’s Bazar, Bangladesh. This week we bring you Part 2 of his camp journal. Check out Part 1 here!
STORY BY SCOTT J. WILL
Physician assistant Scott Will recently spent a month providing medical care to Rohingya people from Myanmar living in a large refugee camp outside Cox’s Bazar, Bangladesh. This journal-style article from him offers a behind-the-scenes view of aid worker life as well as offering a small introduction to the Rohingya people. He previously wrote for Culture Keeper about the family he gained while living in South Sudan for five years.
STORY BY HOLLY WREN SPAULDING
We must give you fair warning: Upon reading this article, you are likely to find yourself checking directions to the tiny village in Michigan where Melanie Parke’s The Provincial resides. As in her other MADE columns, Holly Wren Spaulding has introduced us to another artistic gem, in so many senses of the word.
Illuminating tall ceilings, vast white walls, and shiny, painted wood floors that evoke the vintage of this place, natural light draws me through the doors of The Provincial. As my eyes adjust, a collection of paintings come into focus, by some of painter Melanie Parke’s favorite artists: this is her studio as well as a space for showing others’ work and fostering artist projects.
PHOTOS AND TEXT BY AMBER KIDNER
What do you think of when you imagine life in one of the world’s largest, pulsing cities? What markers of light and distinctiveness would you find there? Our contributor Amber Kidner describes what she’s come to love about her home du jour in Delhi, India. You’ll find her other From India with Love and Fire posts here.
COLLABORATION BY JONATHAN RANDALL GRANT AND WILL JOHNSON
Culture Keeper is all about collaboration, and this whimsical impromptu photo shoot by Jonathan Randall Grant, Culture Keeper’s founder and creative director, and photographer Will Johnson embodies this Culture Keeper ethos. For creatives, space to improvise and play is fertile ground for new projects! (For more creative projects that emerged from an artist’s playing, check out our MADE column.)
STORY BY JANE POTTHAST
This week’s writer illustrates the power of art for guiding us to new places. For her, two paintings in a Vatican gallery thrust her into a spiritually profound encounter.
These, the “Pope’s paintings,” cried out to God more than any others as we wound through masterpieces in the sad, vast Vatican.
We were plodding through the quarters and it was less crowded than the other museums, as it was not on the path to the Sistine Chapel.
I started to tremble when we saw a Raphael, his last before death. A secrecy pervaded the image, forcing me to a craggy edge of longing at which my eyes watered.
STORY AND PHOTOS BY CATHERINE RICOUL
ENGLISH TRANSLATION BY KAMI L. RICE
Last year the Belle de Mai neighborhood of Marseille, France, gained a garden. Residents are working together to cultivate new life in ground that had lost its former glory. Thanks to our contributor Catherine Ricoul, one of forces behind the garden, we get to meander through the Jardin Levat as it dissolves (think film editing terms) from one season to the next.
STORY AND PHOTOS BY ARMON A. MEANS
It was the colors that surprised me the most. Color is wrapped into the essence of this place. Chiang Mai’s vibrancy is translated in hues of such intensity, often unlike anything I’ve come to know in the States. These colors were formed into surface and texture, adapting pattern and creating form across textiles such as scarves of hand-woven cashmere, and across silk dyed with such delicate precision that it seemed as if nature organically created the object itself.